Tremos, born in Peru and raised in Lima, is a renowned artist who is part of the new wave of neo-syncretism, blending material dynamics between Europe and Latin America. Understanding the environment where Miguel Canchari, artistically known as Tremos, grew up is essential to grasp his artistic vision. Influenced both by Catholicism present in his education and the Andean worldview inherited from his parents, his work reflects a constant dialogue between these cultures.

From a young age, Tremos felt a deep connection to art. At 17, he had an epiphany while discovering the brush as he painted a wall in the street, a moment that defined his artistic vocation. His work is characterized by figurative painting that combines Baroque and Andean influences, and non-figurative painting where materiality is expressed through a pre-Hispanic heritage.

In his career, he has been recognized as one of the four artists selected by the Desperados Foundation to represent the city of Marseille. Among his achievements is the creation of a 120 m² mural at the University of Saint Charles in Marseille, a classified building. In addition, he received high honors for his Master’s degree in art from the Marseille School of Fine Arts. In 2023, he was recognized as the Latin artist of the year by the Latino Graff association in France.

Currently, he has Desperados, a well-known beer brand, as a sponsor of his artistic practice, maintaining a close relationship with the Desperados Foundation. His most successful collaborations and projects reflect his ability to build bridges of dialogue between Europe and Latin America, blending cultural symbols and support-surface techniques.

Tremos continues to work on new projects that reflect his Latin American roots and unique vision. With future plans that include new exhibitions and collaborations, his career promises to remain a reference in contemporary art.

Bio

Statement

Tremos’ oeuvre is a compelling exploration of neo-colonial processes and contemporary syncretism, masterfully weaving together Andean and European influences. His work serves as an intricate dialogue between disparate cultural narratives, forging a profound examination of identity, memory, and post-colonial discourse.

Employing a sophisticated interplay of figurative and abstract forms, Tremos engages with the materiality of textiles and paint to challenge and deconstruct hegemonic power structures. His installations are not merely aesthetic statements but are imbued with a critical analysis of cultural synthesis and historical memory. Through meticulous material choices and dynamic compositions, Tremos recontextualizes traditional symbols within a modern framework, creating a transformative space for reflection and dialogue.

His practice transcends conventional artistic boundaries, offering a nuanced commentary on the intersections of personal heritage and collective historical experiences. Each piece is a testament to Tremos’ commitment to exploring the complex interplay between cultural histories and contemporary artistic expression, presenting a reimagined perspective on the legacies of colonialism and the ongoing evolution of cultural identities.